The Bumbry Encounter

“But I still can't get no rest. Brain trapped on a roller coaster, got a pain in my chest.” The mind and body can be both fierce and fragile in this diverse array of shorts. The Body of Christ has a deeper meaning for one religious couple in Ben Kallam’s Washed Away (US 2019, 12 min). The intersection of female oppression and empowerment finds powerful expression in Alexia Maltner’s Guilty (Culpado) (Brazil 2018, 1 min). Two female fighter pilots find their friendship tested in Nicole Emanuele's Wingmen (US 2019, 15 min). An interracial couple in the 1950s have an all-too-real supernatural experience in Jay K. Raja’s The Bumbry Encounter (US 2018, 15 min). An olfactory expert finds his career at a crossroads in Paloma Lingwei Chen’s The Perfumer (US 2019, 24 min). And Maika Monroe (It Follows) stars as a woman forced to face what lurks in the dark of her own home in Kate Trefry’s How to Be Alone (US 2018, 13 min), wrapping up this

“But I still can't get no rest. Brain trapped on a roller coaster, got a pain in my chest.” The mind and body can be both fierce and fragile in this diverse array of shorts. The Body of Christ has a deeper meaning for one religious couple in Ben Kallam’s Washed Away (US 2019, 12 min). The intersection of female oppression and empowerment finds powerful expression in Alexia Maltner’s Guilty (Culpado) (Brazil 2018, 1 min). Two female fighter pilots find their friendship tested in Nicole Emanuele's Wingmen (US 2019, 15 min). An interracial couple in the 1950s have an all-too-real supernatural experience in Jay K. Raja’s The Bumbry Encounter (US 2018, 15 min). An olfactory expert finds his career at a crossroads in Paloma Lingwei Chen’s The Perfumer (US 2019, 24 min). And Maika Monroe (It Follows) stars as a woman forced to face what lurks in the dark of her own home in Kate Trefry’s How to Be Alone (US 2018, 13 min), wrapping up this